In her practice, Jennifer aims to create a space where visuality and materiality are inextricably interwoven, where markings and imprints function as visceral invitation into otherwise inaccessible complexities.

 

Through the use of embodiment aesthetics, she engages in practice-led, process-oriented explorations. In many of her works, she uses Chinese ink and imageries of the natural world as metaphorical embodiment of her personal narratives, culture, and place. 

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Using materials and materiality derived from several practice trajectories associated with her eclectic cultural experiences, she explores the phenomena of presence /existence, absence, loss/lost, and transformation.  Jennifer's multifaceted practice invites consideration of her works as connecting fragments and each work as part of a continuum.

 

Some examples are: lost heritage, lost attention, and lost spaces. She considers these phenomena layered and complex, their significance sometimes misplaced or forgotten, yet, they are in no way invisible.

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