In her practice, Jennifer aims to create a space where visuality and materiality are inextricably interwoven, where markings and imprints function as visceral invitation into otherwise inaccessible complexities.

 

Through the use of embodiment aesthetics, she engages in practice-led, process-oriented explorations. Practice trajectories associated with her eclectic cultural experiences allow her to explore the phenomena of 'displacement', 'being', 'belonging', and 'becoming'. 

 

In her works, she uses Chinese ink to interpret personal and collective interpretation of one's being and place. She is particularly interested in creating imageries that evoke deep, embedded emotions that are not at once obvious, but resonates over time. The significance of black ink in her work, while associated with the ancient historicity of thought and language, also evokes the indescribable, intense, and infinitely emotional qualities. For Jennifer, this material embodies a language of non-language, speaking through its seepage across surfaces, its weight and  immensity, and the dense, uncompromising blackness it holds. Jennifer's multifaceted practice invites consideration of her works as connecting fragments and each work as part of a continuum. 

​​

​

​​

​​

​